Felipe Ledesma Núñez is an Ecuadorian sculptor and historian of sound whose work engages the Andean colonial archive and its sonic traces through the creation of ceramic sound artifacts. Ledesma earned a PhD in musicology from Harvard University and is now a fellow at the Yale Institute of Sacred Music.
Genaro López Quijije is a ceramic artist from La Pila, Ecuador, a community renowned for its long-standing ceramic heritage. López learned the craft within the family and has worked with clay since youth, developing hand-built techniques grounded in pre-Columbian forms. López’s prolific practice centers on the study and recreation of ancestral figures and vessels, contributing to the continuity of ancient ceramic practices as a living, place-based tradition.
Daniel Mezones Quijije is a ceramic artist from La Pila, Ecuador, and the archaeological collections specialist at the Museo Arqueológico y de Arte Contemporáneo (MAAC) in Guayaquil. With nearly five decades of experience working with clay, Mezones bridges artisanal knowledge with conservation and museographic practice. Mezones has worked extensively with archaeological collections at museums in coastal Ecuador and mantained a longstanding collaboration with archaeologist Dorothy Hosler (MIT). Deeply committed to public education, Mezones leads ceramic workshops and stewards Ecuador’s ceramic heritage through both preservation and transmission.
Samuel Tejeda Ramírez is an artist and researcher whose practice engages Mesoamerican craft traditions across clay, metal, wood, bone, amber, and leather. Tejeda trained in ceramics and jewelry at the Instituto Nacional de Bellas Artes and studied ethnology at the Escuela Nacional de Antropología e Historia. Tejeda’s practice integrates formal experimentation with anthropological inquiry to explore Indigenous technologies, cosmologies, and ritual. Tejeda has exhibited nationally and internationally, and leads Ichtli Maori Studio in Mexico City, dedicated to ceramic research, teaching, and creation.