Congratulatory Notes from Around the World
Celebrating 40 Years at Yale
March 29 - May 3, 2014
Music ~ Worship ~ Arts
This has been an extraordinary 40th anniversary year for the Institute of Sacred Music, culminating in a month-long celebration of performances, exhibitions, lectures, and more.
At Yale, we have been privileged that ISM, a place where individuals engage in the interdisciplinary study of sacred music, worship, and the related arts, is an integral part of the university. The Institute includes a faculty that is dedicated and dynamic in their work and mission. We are fortunate to embrace the passion of everyone who is involved with ISM, and I am especially pleased to offer my congratulations and best wishes in this anniversary year.
Peter Salovey
President, Yale University
Chris Argyis Professor of Psychology
——
For four decades, the School of Music and The Institute of Sacred Music have been engaged in a vibrant partnership. With artistic and academic excellence as core values, we have embraced the visionary ideals and values of the Institute’s founders. Today the organ, choral, and vocal programs at ISM are among the best in the nation. Indeed, the founders would share our joy and pride!
We extend our heartiest congratulations to all those, past and present, who have guided, shaped and sustained the Institute in its evolution. We celebrate the accomplishments of the previous years and anticipate the future leadership of ISM in the interdisciplinary endeavors of sacred music, worship, and the related arts.
Robert L. Blocker
The Henry & Lucy Moses Dean of the Yale School of Music
——
The ISM is a unique institution that brings arts and the sacred to Yale. From Plato to Hans Urs von Balthasar, aesthetics has been an important dimension of philosophical and theological reflection. ISM brings aesthetics to expression through worship, literature, music, and the visual arts. From the daily music in Marquand Chapel, the routine art exhibits and concerts to the superb faculty and students, ISM enriches life on the Sterling Quad and at Yale University immensely. I would not want to imagine Yale Divinity School without ISM. Congratulations on 40 great years. Ad multos annos.
Gregory E. Sterling
The Reverend Henry L. Slack Dean, the Lillian Claus Professor of New Testament
Yale Divinity School
——
I am so grateful for my time at the ISM. Supplementing the musical stimulation of studying with Tom Murray and singing for Maggie Brooks and Blake Stern, John Cook’s year-long survey of the history of Christianity and the Arts has enriched my subsequent life more than any academic course I ever took. To live and study in such a creative, interdisciplinary atmosphere for two years was life-changing.
Dale Adelmann
Canon for Music, the Cathedral of Saint Philip, Atlanta
Friend of the Institute
——
Since the ISM is one of those enterprises that was so obviously needed in the current academic and ecclesiastical climate, it is a wonder that it was not set up earlier, and that there are so few comparable ventures elsewhere. From its early days it has been brilliantly led, and deserves to flourish tenfold in the decades to come. I wish it nothing but success!
Jeremy Begbie
Thomas A. Langford Research Professor of Theology, Duke University
——
My first musical experience as Music Director of the New Haven Symphony was working with the Institute of Sacred Music on a performance of Durufé’s glorious Requiem. The quality of the musicianship by both professors and students was of the highest standard - a real delight and privilege to encounter upon my arrival in the US. Since then I have attended many of their performances which are always an inspiration. The Institute plays a vitally important role in the development of church musicians for the benefit of the nation’s communities. Happy Anniversary.
William Boughton
Music director, New Haven Symphony Orchestra
——
Happy Birthday, ISM! Like all scholars working in the field between music and religion, I am so glad you exist. Your faculty are doing excellent work. I have been gratified to give a seminar on the religious symbolism in Olivier Messiaen’s Aquinas-based works in the year of the composer’s centenary and to participate in a fruitful consultation on the contemporary issues in theology and music. Both have stimulated myriad new thoughts, for which I am very grateful.
Siglind Bruhn
Life research associate, music and modern literatures, Institute for the Humanities
University of Michigan
——
Not only is the ISM Fellows program the only institution of its kind in the world; the deliberate combination of theory and practice, study and performance of liturgy, music and related arts creates a uniquely stimulating setting for research that is inspired by both excellent academic resources and the liturgical experience of a lively community. Ad multos annos!
Harald Buchinger
University of Regensburg (Germany)
——
As one who savors the vertiginous occasions of words, as one who savors, as well, the elations of the musical phrase and the provocations availed by intervals of stillness, I am especially grateful for a home where poetry and sacred music abide together in common. I am grateful, moreover, for your continuing hospitality.
Scott Cairns
Poet
——
The Institute was the perfect exhibition home for The ERUV project, a non-ideological, interpretive exploration of a concept with mapping applications in the contemporary world. This is, as I know it, the Institute: the intersection of idea and site.
Alan Cohen
Photographer
——
Congratulations on this your 40th Anniversary! May you continue to provide for the world the model for excellence in sacred music!
Melva Wilson Costen
Helmar Emil Nielsen Music and Worship Professor Emerita
Interdenominational Theological Center
——
Though familiar with ISM for many years, my first immersive experience was when I read in the Literature & Spirituality series in January 2013, an event that set the gold standard for how to host a poetry reading. I suspect that were I to attend other ISM events I would find as much attention to detail and honor for the arts as I was delighted to experience.
Brad Davis
Poet
——
In 2013 the ISM gallery hosted the exhibition Respeto/Respect, photographs by seven Maya women photographers in Chiapas, about the importance of respect for religious differences. The gallery provided an excellent opportunity to prompt thought about respect, not just tolerance, for differences of whatever type.
Carlota Duarte
Founder/director, The Chiapas Photography Project
——
Felicitations on your 40th anniversary! It has been a delight to observe the growth and evolution of the Institute since its inception thanks to the vision and passion of Clementine Tangeman. It has been a personal pleasure to be related to the Institute especially more recently as a contributing visitor to the Institute. Over these years I have been heartened by the vitality and energy of the place, the high quality of faculty and students and the commitment to explore the diverse and complex theology and practice of music and the arts as they serve as servants to the worship life of the Church. Your work remains a significant and needed influence for the many of us “out here,” refreshed and inspired by the vision of the Institute and the contributions of its graduates.
John Ferguson
Elliot and Klara Stockdal Johnson Professor of Organ
Church Music and Cantor to the Student Congregation
St. Olaf College (MN)
——
Wishing you many more decades of sustained scholarly and practical engagement with the treasury of sacred music.
William Flynn
Lecturer in medieval Latin
Institute for Medieval Studies, University of Leeds (UK)
——
Congratulations to the Institute of Sacred Music for your 40th anniversary. As a visual artist participant, I am grateful for the opportunity to collaborate and to seek the “still point of the turning world” (T.S. Eliot) with you. We live in a fragmented world and academic disciplines, and ISM offers a point of intersection, a refuge of integration to us all. Thank you!
Makoto Fujimura
Artist, Fujimura Institute
——
Congratulations! I am a great admirer of the Yale Institute of Sacred Music, and I hope the program will continue for another 40 years and beyond! I have many dear friends and colleagues whose lives have been changed by their experience in the program, and I have met many audience members who have been touched by the work of ISM alumni. Music is an incredible art form with the power to move and influence people towards joy, love, and peace. Thank you for all you do to serve that mission in the world!
Jolle Greenleaf
Artistic director, TENET
——
Yale ISM excels in interconnecting sacred music, liturgical studies, sacred art and architecture, literature, and other arts. It does so in an ecumenical way, paying attention to both Western and Eastern Christian traditions. At the same time, it is open-minded to other (non-Christian) religions and to other (non-Western) cultures. It is characterized by mutual fertilization between theory and practice, as well as between theology, musicology, and other branches of scholarship. I feel privileged that I have been a member of this community and I continue to feel close to it. Thanks ISM! Congratulations, and keep on trucking!
Bert Groen
Professor, Center for Southeast European Studies
University of Graz (Austria)
——
Turning 40, eh? Congratulations. Well, I don’t know. Is that the right response to not being very young but also not being very old? From where I sit, it looks like you’ve hit your stride. I’m impressed that your belt line hasn’t expanded too much. I notice that your feet still reach the ground as you stretch toward the sky. You still exercise, taking little for granted, and your heart is still good. You’re not courting early death. But you know, right, that the going gets harder, not easier from here on? You’ll be tempted to become ever more cautious. Resist that temptation. Dare to become 80!
Ronald Grimes
Visiting professor of ritual studies, University of Prague
——
The Yale ISM has been significantly fruitful for artists and for the general public as well. International artists and students meet and learn from each other at the Institute, enabling them to break through cultural barriers, and to recognize the richness and variety of the arts and culture of so many countries around the world. I hope the ISM will create many more opportunities for international artistic collaborations, which enable people to discover the ‘golden thread’ among various cultures and unites those of different backgrounds by means of art and culture.
Didik Hadiprayitno (Didik Nini Thowok)
Choreographer, dancer, traditional cross gender artist (Indonesia)
——
Working at the ISM with Schola Cantorum and with the conducting and singing programs was an eye opener for me! To see such well-structured courses and such inspiring and rigorous teaching in action made me realize what is possible for us mere mortals elsewhere - if only we could persuade related disciplines to collaborate, as you do. Thank you for inspiring me. Very best wishes for your important anniversary and may you all continue to flourish!
Simon Halsey
Chief conductor, Berlin Radio Choir
Head of choral education, Berliner Philharmoniker
Choral director, London Symphony Orchestra
——
Yale’s ISM provided a needed forum for me as an exhibiting artist earlier in my career––and now decades later for my nationally touring collaborative work, QU4RTETS. I found at ISM high-level discourse, professional and academically rigorous discussion of my work, and a deep sense of intellectual hospitality. Additionally, I sensed the gravitas of authentic engagement with tradition and innovation––with a unique blend of mind, spirit, and heart that is rare in academe these days.
Bruce Herman
Artist and Lothlorien Distinguished Chair in Fine Arts, Gordon College
——
The very idea is stirring: a center for sacred music with its own schola cantorum! How I wish time and circumstances had permitted me greater contact with the whole thing. As it is, from my short visit as artist in residence, I treasure warm memories of an outstanding group of singers, surrounded and nurtured by brilliant faculty and mouth-watering resources. May you move forward from innovative achievement to yet more innovative achievement!
Paul Hillier
Conductor
——
In 1974, Christian worship was beginning a new era. From the exploration of contemporary and charismatic approaches to the growing energy of the ecumenical liturgical movement, worship options and values had changed in the previous two decades. Now four decades later, the Institute of Sacred Music and its attention to worship and the arts has led the way through ever challenging choices, having an impact on the academy and the church alike. We in this world are in your debt.
Todd E. Johnson
Theological director, Brehm Center for Worship, Theology, and the Arts
Fuller Theological Seminary
——
Many congratulations to the Institute of Sacred Music, its directors, faculty, alums, and current students on four decades of providing leadership in the field of sacred music studies. I have had the honor of working with many graduates of this fine institution, and I continue to cherish a close relationship through its magnificent Schola Cantorum; long may it flourish!
Edward Elwyn Jones
Gund University Organist and Choirmaster, Harvard University
——
The Institute of Sacred Music is to be commended for extraordinary and outstanding leadership to shape the next generation of musicians, artists and clergy dedicated to the worship arts. The unique partnership that the Institute offers, led by excellent and distinguished faculty and visiting artists, provides a rich and fertile environment for musicians, scholars , and artists to flourish. Congratulations and best wishes for continued success.
Grete Krogh
Professor, Royal Danish Conservatory of Music, Copenhagen (Denmark)
——
There is nothing in the world quite like the ISM. Marked by a vigorous academic and artistic rigor, the faculty and students of the Institute are also marked by a gracious spirit of cooperation and care. They are immersed in one of the finest universities of our time, but they are also immersed in genuine concern for the well-being of actual religious communities. Congratulations on this anniversary! May there be many more years.
Gordon W. Lathrop
Past president, Societas Liturgica
——
Congratulations and happy 40th anniversary to the Yale Institute of Sacred Music! I keep such a fond memory of my visit to Yale a few years ago, as a guest artist, and of the impression I felt at the very first contact with faculty and students! An impression of inspiring and stimulating atmosphere in a warm and convivial environnement. Its yearning for excellence succeeded in such results showed through all the brilliant careers this institute produced! We can’t but wish a perfect continuity in this leading and successful institution, looking forward to the next decade for the celebrations of the 50th!!! Warmest regards to the faculty and students!
Rachel Laurin
Organist and composer
——
Congratulations to the Yale Institute of Sacred Music on forty years of training and inspiring young artists to understand and share the treasures of our sacred choral music heritage, that vital and living tradition which contains so many profound outpourings of the human spirit. May your work continue to bring beauty and joy to our world for decades to come.
Andrew Megill
Associate professor, Westminster Choir College
——
Congratulations; you’ve got a good thing going and, unlike the Children of Israel, you did not have to wander for forty years in the wilderness! I wish you and “the team” all the best.
Martin E. Marty
Fairfax M. Cone Distinguished Service Professor Emeritus, University of Chicago
——
Congratulations to the ISM upon reaching a milestone worthy of such celebration! May the prayer and work, historical inquiry and constructive scholarship, artistry and pedagogy, theory and practice, performances and publications that have altogether benefited academy, church, and society continue for years to come.
Bruce T. Morrill, S.J.
Edward A. Malloy Professor of Catholic Studies
Vanderbilt University
——
I am delighted to send a message of congratulations and best wishes to the Yale Institute of Sacred Music on the occasion of its 40th anniversary. In 2010 I had the privilege and pleasure of working with the excellent Schola Cantorum, and participating in the life and work of the ISM for several weeks. I was inspired and refreshed by the vibrant, multi-disciplinary work and activity of the Institute, both scholarly and practical, across a wide range of musical and theological fields. Long may this unique venture continue to thrive!
James O’Donnell
Organist and master of the choristers, Westminster Abbey (UK)
——
It has been a truly great honor for me to be invited by the Yale Institute of Sacred Music. Coming from the “old world” tradition, it has been a wonderful challenge for me to exchange ideas as guest teacher at this internationally honored institution. My already high expectations were exceeded by far, and it has been a delight to work with such committed, open-minded people whose enthusiasm allows them to be swept up by great music. For the future I wish you further success and that you maintain this special nourishing atmosphere that sends out so many inspiring musicians to the world.
Erwin Ortner
Founder and artistic director, Arnold Schoenberg Choir
——
I have been involved on many occasions from the founding to the present, and always been delighted with the people and work at the Institute of Sacred Music. It is unique in its dedication to the highest quality of music performance in relation to everyday worship in our churches. Long may it flourish!
Alice Parker
Artistic director, Melodious Accord
——
How can one – in a few short sentences only – fully give credit to the priceless work that is being done at the ISM and the invaluable results that come out of it? Having had the privilege to meet with students and fellow teachers at the ISM on many occasions, my admiration for the activities being implemented grow bigger for each time, and my respect gets more and more sincere each time I meet with colleagues - originally students at the ISM – now in important positions around in the musical world.
Stefan Parkman
Professor and director Cantorum
Uppsala University (Sweden)
——
Over these past forty years Yale’s Institute of Sacred Music has made an invaluable contribution to the renewal of life and worship in the churches of North America and beyond. It has served as that “sacred bridge,” connecting people of diverse cultures and faith traditions in the formation of artists and musicians, church leaders and liturgical scholars for the 21st century. May it continue to flourish for many years to come.
Keith F. Pecklers, S.J.
Professor of Liturgy, Pontifical Gregorian University
Professor of Liturgical History, Pontifical Liturgical Institute (Rome)
——
We visited the Yale Institute of Sacred Music in 2008. We consider that the Institute makes the greatest contribution to studying, support and development of a sacred music. Excellent concert halls at the Institute, perfectly made concert programs and selection of performers give the chance to take pleasure on the present in a sacred music of different styles and eras. We congratulate the Institute on the 40th anniversary and we wish successful continuation of its important activities
Valery Petrov
Artistic director and conductor, The Orthodox Singers
——
I wish the Yale ISM all the very best for their 40th anniversary. The Tallis Scholars reached this landmark last year, so I know what it feels like: a lot of history and a lot of opportunity. I hope you will build on what you have achieved, helping to make sacred music a normal part of the secular concert scene.
Peter Phillips
Director, the Tallis Scholars
——
Accept my cordial congratulations to Yale ISM 40th Anniversary! I have wonderful memories of rewarding cooperations, motivated students and great colleagues.
Helmuth Rilling
Conductor
——
I spent two rewarding weeks in March 2012 working with the Schola Cantorum. I have rarely come across a group with greater commitment, eager to tackle demanding repertoire but also keen to appreciate the nuances of Anglican Psalm singing. Universities in the UK could well learn from the way in which Yale has integrated liturgical singing into an academic programme. The Institute of Sacred Music is clearly an inspirational department. May it continue to flourish.
Christopher Robinson
Organist and conductor, St. John’s College, Cambridge (UK)
——
Sending best wishes on this celebratory anniversary with sincere appreciation for the generous support of the visual arts by the Yale Institute of Sacred Music.
Ellen Rothenberg
Artist
——
Many congratulations to the ISM on the occasion of your fortieth anniversary. We have greatly enjoyed our performances at Marquand Chapel; it is thrilling and challenging in equal measure to sing to such a knowledgable audience, and to meet students so enthused by and responsive to the repertoire we love. We wish you the very best for the next forty years and beyond.
Stile Antico
Early music vocal ensemble
——
When I arrived at Yale to give a master class for art song at the ISM, I was delighted to discover that the faculty and students treated secular music with such “reverence.” It was a joy to work with the vocalists, since their enthusiasm for the repertoire could only be described as limitless. The subtle beauty of art song seemed to be second nature to them and I left Yale feeling deeply satisfied that my passion for the art of song had been fully understood and deeply appreciated.
Donald Sulzen
Department head of song interpretation
University of Music and the Performing Arts, Munich (Germany)
——
Out of all my teaching assignments, the weeks I have spent in Yale as visiting organ tutor have been the most enjoyable and rewarding. With wonderful instruments, dedicated students and inspiring leadership (as well as some great restaurants nearby!) the ISM has an organ department to be truly proud of. Long may it continue to thrive.
Thomas Trotter
City Organist, Birmingham (UK)
——
Congratulations! I appreciate greatly that the ISM witnesses to the glory of God and encourages artists–especially for my exhibition in 2009 and the concert in 2012 to benefit the people in my home town Ishinomaki and in Sendai, which suffered from the big earthquake and tsunami. I pray the ISM would continue to fill deeply the role of delivering God’s grace through music and art as “earthen vessels” described by Paul.
Soichi Watanabe
Artist
——
Prompted by the 400th anniversary of the composer’s death, your presentation of the TENET ensemble from New York in a performance of a set of Holy Week responses by Carlo Gesualdo is an event that I shall always remember.
Glenn Watkins
Professor emeritus, University of Michigan
——
During visits to Yale as artist-in-residence I have been able to observe the superb work done by the Institute. My admiration could not be higher for the seriousness of its aims and objectives, the extremely high standard of the work, the range of the curriculum, and the fraternal atmosphere among the students. I congratulate you on this landmark anniversary and offer warmest good wishes for an equally illustrious future.
Dame Gillian Weir
Organist