Fellows’ Publications and Other Projects

Fellows’ Books | All Publications

Abdelfattah, Heba

Albin, Andrew

  • Andrew Albin, Pinko Palino, etc. 2018. Richard Rolle’s Melody of Love: A Study and Translation with Manuscript and Musical Contexts, Studies and Texts 212.   Toronto: Pontifical Institute of Mediaeval Studies. 

  • Andrew Albin.  2016. “Desiring Medieval Sound.” Sounding Out!  9 May 2016,  https://soundstudiesblog.com/2016/05/09/desiring-medieval-sound/

Bernstein, Meg

  • Meg Bernstein and Emily C. Floyd.  2022. “Visiting Religious Spaces in the Digital Realm: The MAVCOR Digital Spaces Project in Historical Context.” In Digital Humanities and Material Religion: An Introduction, edited by Emily Suzanne Clark and Rachel McBride Lindsey, 6:91–110. Introductions to Digital Humanities – Religion.  Berlin: De Gruyter. https://doi.org/10.1515/9783110608755. 

  • Meg Bernstein. 2021. “Towards an Art History of the Parish Church, 1200–1399.” ed. Meg Bernstein. London: Courtauld Books Online. https://courtauld.ac.uk/research/research-resources/publications/courtau…

Blanton, Anderson

  • Anderson Blanton. 2019. “The ‘Point of Contact’: Radio and the Transduction of Healing Prayer.” In Language and Religion, eds. Robert Yelle, Courtney Handman, and Christopher Lehrich. Boston: Walter de Gruyter Inc.

Bloxam, M. Jennifer

  • M. Jennifer Bloxam. August 2019. “A Golden Mass: Celebrating the Annunciation with Guillaume du Fay.” Concert program developed in collaboration with Stratton Bull, director of the Dutch vocal ensemble Cappella Pratensis (http://www.cappellapratensis.nl/(link is external)), featuring Du Fay’s Missa Ecce ancilla Domini, for the Laus Polyphoniae Festival of Flanders, Antwerp, Belgium.

     

  • M. Jennifer Bloxam. 2019. “Cum angelis et archangelis: Singing a Sacramental Cosmology in the Medieval Christian West.”  In  Full of Your Glory: Liturgy, Cosmos, Creation. Papers from the 5th Yale ISM Liturgy Conference, June 18–21, 2018, ed. Teresa Berger, 211-30. Collegeville, MN: Liturgical Press. 

  • M. Jennifer Bloxam. 2018. “Cantus and Cantus Firmi: Solving Puzzles in Three Fifteenth-Century Annunciation Masses.” Journal of the Alamire Foundation. Vol. 10: 159-72. 

  • M. Jennifer Bloxam and Andrew Shenton, eds.  2017.  Exploring Christian Song.  Lanham, Maryland: Lexington Books.

  • M. Jennifer Bloxam. 2017. “Ockeghem’s Presence in Obrecht’s Masses.” Tijdschrift van de Koninklijke Vereniging voor Nederlandse Musiekgeschiedenis. Vol. 67: 103-24.

  • M. Jennifer Bloxam. 2017. “The Late Medieval Composer as Cleric: Browsing Chant Manuscripts with Obrecht.”  In Exploring Christian Song, eds. M. Jennifer Bloxam and Andrew Shenton, 29-52. Lanham, MD: Lexington Books. 

  • M. Jennifer Bloxam & Pierre de la Rue. 2016. Missa Cum jocunditate: Visions of Joy / The Chapel of Hieronymus Bosch. CD with the Dutch vocal ensemble Cappella Pratensis, directed by Stratton Bull, with Wim Diepenhorst, organ. Challenge Classics CC72710.

  • M. Jennifer Bloxam. 2016. “Preaching to the Choir? Obrecht’s Motet for the Dedication of the Church.”   In Music and Culture in the Middle Ages and Beyond: Liturgy, Sources, Symbolism, eds. David Rothenberg and Benjamin Brand, 263-92. Cambridge: Cambridge University Press.

  • M. Jennifer Bloxam. 2015. “Music and Ritual.”  In The Cambridge History of Fifteenth-Century Music, eds. Anna-Maria Busse Berger and Jesse Rodin, 511-27. Cambridge: Cambridge University Press.

  • M. Jennifer Bloxam. 2014. “Royal Exequies: Music for the Funeral of Philip the Fair.” Lecture and concert tour developed in collaboration with Stratton Bull, director of the Dutch vocal ensemble Cappella Pratensis, combining an illustrated lecture-demonstration with a concert presentation of Pierre de la Rue’s Requiem. 

Bradshaw, Paul

  • Paul Bradshaw.  2015.  Alcuin Club, and The Group for Renewal of Worship (GROW), Joint Liturgical Studies 80: Ancient Church Orders.  Norwich: SCM-Canterbury Press. 

Buchinger, Harald

  • Harald Buchinger. 2017. “Psalm (liturgisch).”  Reallexikon für Antike und Christentum, 28/220-221, 459-496.

  • 2017.  Harald Buchinger, David Hiley, and Sabine Reichert, eds.  Prozessionen und ihre Gesänge in der mittelalterlichen Stadt.  Regensburg, Germany: Schnell & Steiner.  

  • Harald Buchinger. 2016. “Gregorian Chant’s Imagined Past, with yet another look at the Roman Lenten repertoire.”  In  Liturgy’s Imagined Past/s: Methodologies and Materials in the Writing of Liturgical History Today, eds. T. Berger / B. Spinks; A Pueblo Book, 143 - 175. Collegeville, MN: Liturgical. 

  • Harald Buchinger. 2016. “Pentekoste, Pfingsten und Himmelfahrt. Grunddaten und Fragen zur Frühgeschichte.”  In Preaching after Easter. Mid-Pentecost, Ascension, and Pentecost in Late Antiquity, eds. R. W. Bishop / J. Leemans / H. Tamas; Supplements to Vigiliae Christianae 136, 15-84. Leiden: Brill.

  • Harald Buchinger. 2016. “Psalmodie als Sakrament. Johannes Chrysostomus über den täglichen Abendpsalm 140(141).”  In Wort des lebendigen Gottes - Liturgie und Bibel, (= FS Hansjakob Becker; Hg. A. Zerfaß / A. Franz; Pietas Liturgica) 16, 221-240. Tübingen: Narr/Francke/Attempto. 

  • Harald Buchinger. 2015. “Eucharistische Praxis und eucharistische Frömmigkeit bei Origenes.”  Sacris Erudiri, 54, 5-78. 

  • Harald Buchinger. 2014. “The Easter Cycle in Late Antique Cappadocia. Revisiting some well-known witnesses.” Bollettino della Badia Greca di Grottaferrata, 3a serie 11 (Festschrift Nicolas Egender / Sebastià Janeras) 45-77.

  • Harald Buchinger. 2014. “Pascha.”  Reallexikon für Antike und Christentum, 26/208, 1033-1077.

  • Harald Buchinger. 2013. “Osterprozessionen und ihre Gesänge im Früh- und Hochmittelalter. Annäherung an ein interdisziplinäres Forschungsfeld.”  In  Colloquium Collegarum. Festschrift für David Hiley zum 65. Geburtstag, eds. W. Horn / F. Weber; Regensburger Studien zur Musikwissenschaft 10,  9-87.  Tutzing: Schneider.  

  • Harald Buchinger. 2013. “Kommunionfeier am Karfreitag? Zur instabilen Geschichte einer umstritten Praxis.” In Die Feier des Ostertriduums zwischen normativem Anspruch und lokaler Praxis, Hg. B. Leven / M. Stuflesser; Theologie der Liturgie 4, 154-174. Regensburg: Pustet.

  • Harald Buchinger. 2013. “Gregorianik: Das Kernrepertoire.” In Der Gottesdienst und seine Musik.1: Grundlegung und Hymnologie, eds. A. Gerhards / M. Schneider; Enzyklopädie der Kirchenmusik 4/1,  133-152. Laaber: Laaber. 

  • Harald Buchinger. 2012. “Heilige Zeiten? Christliche Feste zwischen Mimesis und Anamnesis. Am Beispiel der Jerusalemer Liturgie.” In Communio Sanctorum: Heilige, Heiliges und Heiligkeit in spätantiken Religionskulturen, eds. P. Gemeinhardt / K. Heyden; Religionsgeschichtliche Versuche und Vorarbeiten 61, 283-323. Berlin: de Gruyter. 

Butler, Melvin

  • Melvin Butler.  2019.  Island Gospel: Pentecostal Music and Identity in Jamaica and the United States. Urbana: University of Illinois Press, 2019.

  • Melvin Butler. 2016. “Performing Pannkotis Identity in Haiti.” In The Oxford Handbook of Music and World Christianities, eds. Suzel Reily and Jonathan Dueck, 606–28. New York: Oxford University Press.

  • Melvin Butler. 2014. “Haitian Djaz Diplomacy and the Cultural Politics of Musical Collaboration.” In Music and Diplomacy from the Early Modern Era to the Present, eds. Rebekah Ahrendt, Mark Ferraguto, and Damien Mahiet, 209–29. New York: Palgrave Macmillan.

Chang, Hyun Kyong Hannah

  • Hyun Kyong Hannah Chang. 2020. “A Fugitive Christian Public: Singing, Sentiment, and Socialization in Colonial Korea.” The Journal of Korean Studies. Vol. 25, No. 2: 291-323.

  • Hyun Kyong Hannah Chang. 2020. “Yun Isang, Media, and the State: Forgetting and Remembering a Dissident Composer in Cold-War South Korea.” The Asia Pacific Journal. Vol. 18. No. 19. n.p. Direct link to this article: https://apjjf.org/2020/19/Chang.html.

  • Hyun Kyong Hannah Chang. 2019. “Singing and Praying among Korean Christian Converts (1896-1915): A Trans-Pacific Genealogy of the Modern Korean Voice.” In The Oxford Handbook of Voice Studies, eds. Nina Eidsheim and Katherine Meizel, 457-474. Oxford: Oxford University Press.

  • Hyun Kyong Hannah Chang. 2018. “Colonial Circulation: Japan’s Classroom Songbooks in Korea, 1910-1945.” Ethnomusicology Forum. Vol. 26, No. 2: 157-183.

Chavez-Barcenas, Ireri

  • Ireri Chavez-Barcenas. 2021.  “Native Song and Dance Affect in Seventeenth-Century Christian Festivals in New Spain.”  In Acoustemologies in Contact: Sounding Subjects and Modes of Listening in Early Modernity, eds.  Emily Wilbourne and Suzanne G. Cusick. Cambridge, UK: Open Book Publishers, 2021.

Chua, Daniel

  • Daniel Chua.  2017. Beethoven & Freedom.  Oxford University Press, 2017.

Cohen, Matthew

  • Matthew Cohen. 2020. Wayang sebagai Media Ekologi: Buku Pintar Kreativitas pada Masa Perubahan Iklim [Wayang as an Ecological Medium: A Sourcebook for Creativity in a Time of Climate Change]. Yogyakarta: Kunci. (Co-editor with Laura Noszlopy, Dewanto Sukistono, and Marianna Lis.) 

  • Matthew Cohen. 2019. “Three Eras of Indonesian Arts Diplomacy.” Bijdragen tot de Taal-, Land- en Volkenkunde. Vol. 75, Nos. 2-3: 253-283.