Specifications

Newberry Organ, Woolsey Hall

Hutchings-Votey Organ Company | J.W. Steere & Son Organ Company | Skinner Organ Company.

Specifications

Click here to download the stop list.

KEY
I:    George S. Hutchings, 1902 – ‘03
II:   Steere Organ Company, 1915
III:  Skinner Organ Company, 1928 – ‘29
IV:  Skinner Organ Company, 1931
V:   Hook & Hastings  Battell Chapel organ, 1875
VI:  Skinner Organ Company, 1928 – ‘29
            (removed 1931, located and reinstalled 1994)

 

GREAT ORGAN   Manual II   7-1/2” wind pressure

1. 32’ Violone       (6” wind) 61 III/I
2. 16’ Diapason 61 I
3. 16’  Bourdon 61 I
4. 8’ First Diapason 61 II/III
5. 8’ Second Diapason 61 I/III
6. 8’  Third Diapason 61 I/III
7. 8’ Fourth Diapason 61 I/III
8. 8’ Principal Flute 61 III
9. 8’ Doppelflöte 61 I
10. 8’ Claribel Flute 61 II
11. 8’ Erzähler 61 III
12. 8’ Gamba 61 I
13. 5-1/3’ Quint 61 I/III
14. 4’ Principal 61 III
15. 4’ Octave 61 I
16. 4’ Waldflöte 61 I
17. 4’ Hohlpfeife 61 II
18. 3-1/5’ Tenth 61 III
19. 2-2/3’ Twelfth 61 I
20. 2’ Fifteenth 61 III
21. V Chorus Mixture    4’  E-2  305 III
22. IV Harmonics    1-3/5’  D-7 244 III
23. VII Cymbale        1-1/3’  F-2 427 III
24. 8’ Trumpet 61 I
25. 4’ Clarion 80 I
26. 16’ Contra Tromba  )   61 III
27. 8’ Tromba              )  (10” wind) 61 III
28. 4’ Octave Tromba  )  61 III
29.  String Ensemble
30.  Chimes (Solo)

SWELL ORGAN   Manual III   10” wind pressure

1. 16’ Bourdon  73 I/II
2. 16’ Gamba  73 I/II
3. 8’ Diapason  73 I/III
4. 8’ Geigen Diapason  73 I/III
5. 8’ Open Flute  73 I/II
6. 8’ Flauto Traverso  73 I/II
7. 8’ Gedeckt  73 I/III
8. 8’ Quintadena  73 I/II
9. 8’ Flute Celeste   (2 ranks, sharp celeste, TC) 134 III
10. 8’ Gamba  73 I/II
11. 8’ Voix Celeste (2 rks, # and ##, draws #10) 134 I/II
12. 8’ Salicional  73 I/II
13. 8’ Aeoline  73 I/II
14. 8’ Unda Maris (tuned sharp, TC, draws #13) 61 I/II
15. 4’ Octave  73 III
16. 4’ Flute Triangulaire  73 III
17. 4’ Violina  73 I/II
18. 4’ Unda Maris (2 ranks, unison/sharp) 122 III
19. 2-2/3’ Twelfth  61 III
20. 2’ Flautino  61 III
21. 1-3/5’ Tierce  73 I/III
22. V Quint Mixture   2’  C-1  305 III
23. V Cornet           4’/8’  I-1  305 III
24. 16’ Posaune  73 I/II/III
25. 8’ Trumpet  73 III
26. 8’ Cornopean  73 III
27. 8’ Oboe  73 I/II/III
28. 4’ Clarion  73 III
29. 8’ Vox Humana  (sep. chest/tremolo, 5” wind) 61 I/III
30.  String Ensemble
31.  Chimes (Solo #20)
32.  Tremolo

SOLO ORGAN  Manual IV  15” wind pressure

1. 16’ Diapason  73 II
2. 16’ Viole  73 II
3. 8’ Diapason  (two ranks)  146 II
4. 8’ Flauto Mirabilis  73 II/III
5. 8’ Stopped Flute  73 I/II
6. 8’ Gross Gamba  61 III
7. 8’ Gamba Celeste (tuned sharp, draws #6) 61 III
8. 4’ Octave  73 III
9. 4’ Hohlpfeife  73 I/II
10. 4’ Gambette  73 III
11. 2-2/3’ Nazard  61 III
12. 2’ Piccolo  61 II
13. V Fourniture   2’  C-3  305 III
14. 8’ Tuba  73 III
15. 8’ Trumpet  73 III
16. 8’ French Horn  73 III
17. 8’ Heckelphone  73 III
18. 5-1/3’ Quinte Tromba  61 I/III
19. 4’ Tuba Clarion  73 III
20.  Chimes   F2 to G4  tubes 27 II
21.  Tremolo
22.  String Ensemble
  25” wind pressure:
23. 16’ Ophicleide  73 II
24. 8’ Orchestral Trombone  73 VI
25. 8’ Tuba Mirabilis                unenclosed  73 III
26. 8’ Trumpet Harmonique    unenclosed  73 IV

ECHO ORGAN  Manual II and IV (duplex action)  10” wind pressure

1. 16’ Bourdon  73 II
2. 8’ Diapason  73 I/II
3. 8’ Cor de Nuit  73 II
4. 8’ Viole d’Amour  73 I/II
5. 8’ Dulciana  73 I/II
6. 8’ Vox Angelica (tuned sharp, draws #5) 73 I/II
7. 4’ Fernflöte  73 II
8. 8’ Trumpet  73 I/II
9. 8’ Oboe Horn  73 II
10. 8’ Vox Humana  61 II
11.  Chimes (Solo #20)
12.  Tremolo

CHOIR ORGAN   Manual I    10” wind pressure

1. 16’  Dulciana 73 I/II
2. 8’ Violin Diapason 73 III
3. 8’ Flute Harmonique 73 III
4. 8’ Gedeckt 73 I/II
5. 8’ ‘Cello 73 I/II/V
6. 8’ Dulciana 73 I/II
7. 4’ Octave 73 III
8. 4’ Flauto Traverso 73 I/II
9. 4’ Viola 73 I/II
10. 2’ Piccolo Harmonique 73 I/II
11. 16’ Fagotto 73 I/II
12. 8’ Corno d’Amore 73 III
13. 8’ Clarinet 61 I/II
14.  String Ensemble
15.  Tremolo

ORCHESTRAL ORGAN   Manual I and III (duplex)  10” wind

1. 8’ Concert Flute  73 II
2. 8’ Bois Celeste (tuned sharp, TC, draws #1) 61 II
3. 8’ Viole d’Orchestre  73 II
4. 8’ First Viole Celeste (tuned sharp, draws #3) 73 II
5. 8’ Second Viole Celeste (double sharp, + #4) 73 II
6. 8’ Muted Viole  73 II
7. 8’ Muted Celeste (tuned flat, draws #6) 73 II
8. 8’ Kleine Erzähler (2 ranks, sharp celeste, TC) 134 III
9. 4’ Orchestral Flute  73 III
10. 4’ Flûte à Cheminée  73 II
11. 2-2/3’ Nazard  61 III
12. 2’ Piccolo  61 III
13. 1-3/5’ Tierce  61 III
14. 1-1/3’ Larigot  61 III
15. 1-1/7’ Septième  61 III
16. V Dulciana Mixture   2-2/3’   H-2  305 III
17. 16’ Bassoon (Orch #18) 12 III
18. 8’ Bassoon  85 III
19.  8’ French Horn  61 II
20. 8’ English Horn  61 IV
21. 8’ Corno di Bassetto  61 II
22. 8’ Orchestral Oboe  61 II
23.  Harp (C2 to C6, 8’ pitch, from Orch #24)
24.  Celesta  (C1 to C6, 4’ pitch) bars 61 III
25.  Chimes (Solo #20)
26.  Tremolo

STRING ENSEMBLE  (any manual or pedal)  10” wind pressure

1. 8’ Orchestral Strings I flat/sharp 2 ranks 146 III
2. 8’ Orchestral Strings II unison/sharp 2 ranks 146 III
3. 8’ Orchestral Strings III unison/sharp 2 ranks 146 III
4. 8’ Orchestral Strings IV unison/sharp 2 ranks 146 III
5. 8’ Muted Strings I flat/sharp 2 ranks 146 III
6. 8’ Muted Strings II unison/sharp 2 ranks 146 III
7. 8’  Muted Strings III unison/sharp 2 ranks 146 III
8. 8’ Muted Strings IV unison/sharp 2 ranks 146 III
9. IV Cornet des Violes  4’ J-2  244 III
10.  Tremolo

PEDAL ORGAN  6” wind pressure

1. 64’ Gravissima   (draws #2; #3 at 21-1/3’ pitch)
2. 32’ Diapason 32 I
3. 32’ Contra Bourdon            (Great #3) 12 I
4. 32’ Violone (Great #1)  III/I
5. 16’ First Diapason  32 I
6. 16’ Second Diapason (1-12 Gt.; 13 up Ped. #2) 12
7. 16’ Bourdon (Great #3)
8. 16’  Gedeckt (Swell #1)
9. 16’ Violone (Great #1)
10. 16’ Gamba (Swell #2)
11. 16’ Dulciana  32 I
12. 8’ Octave (Pedal #5) 12
13. 8’ Principal (Pedal #6) 12
14. 8’ Flute Bass (Great #3)
15. 8’ Still Gedeckt (Swell #1)
16. 8’ Salicional (Great #1)
17. 8’ ‘Cello (Solo #6 and #7)
18. 4’ Super Octave  32 I
19. 4’ Flute  32 I
20. VI  Harmonics         5-1/3’  K-13  192 III
21. V Mixture                     4’  K-11  160 III
22. 32’ Bombarde            (20” wind)  32 IV/I
23. 16’ Trombone (Pedal #22) 12 IV/I
24. 16’ Bass Tuba (Solo #23)
25. 16’ Fagotto (Choir #11)
26. 10-2/3’ Quint Trombone (Great #26)
27. 8’ Tromba (Pedal #23) 12 I
28. 8’ Tuba (Solo #23)
29. 4’ Clarion (Solo #23)
30.  String Ensemble
31.  Chimes (Solo #20)

ECHO PEDAL  10” wind pressure

1. 16’ Diapason  32 II
2. 16’ Bourdon (Echo #1)
3. 8’ Octave  12 II
4’ 8’  Flute (Echo #1)
5.  Chimes (Solo #20)

 


COMBINATION PISTONS 

Great  1 - 12, 0
Swell  1 - 12, 0
Choir  1 - 12, 0
Solo  1 - 12, 0
Couplers  1 - 4, 0
Solo-Echo  1 - 5, 0
Great-Echo           1 - 5, 0
General  1 - 10, 00
Combination Set

COMBINATION TOE STUDS
General  2 - 4 - 6 - 8 - 10, 00
Pedal  1 - 10, 0

REVERSIBLE PISTONS
Great-to-Pedal Reversible
Swell-to-Pedal Reversible
Choir-to-Pedal Reversible
Solo-to-Pedal Reversible
All Swells to Swell   (with indicator light) 

REVERSIBLE TOE PEDALS
Great-to-Pedal Reversible
Swell-to-Pedal Reversible
Solo-to-Pedal Reversible
Sforzando I    (with indicator light)
Sforzando II   (with indicator light)

COUPLERS  by rocking tablets
Swell to Pedal  8’ – 4’
Great to Pedal 8’
Choir to Pedal 8’ – 4’
Solo to Pedal  8’ – 4’

Swell to Great 16’ – 8’ – 4’
Choir to Great 16’ – 8’ – 5-1/3’ – 4’
Solo to Great 16’ – 8’ – 4’
Swell to Choir 8’ – 4’
Solo to Choir 8’
Solo to Swell 8’
Swell to Solo 8’
Great to Solo 8’
Choir to Solo 8’
Swell to Swell 16’ – 4’
Choir to Choir 16’ – 4’
Solo to Solo 16’ – 4’

Echo on Great off
Echo on Solo off

BALANCED PEDALS    (left to right)
Choir Expression
Orchestral Expression
Swell Expression
Solo and Echo Expression
Register Crescendo   (with indicator light)

The String Ensemble shades operate from the shoe of the manual upon which it is drawn; when engaged on the Great or Pedal, the String shades operate from the Orchestral shoe.

The present Orchestral English Horn and Solo unenclosed Trumpet Harmonique were installed by the Skinner Organ Company in 1931.  At the same time, the twenty-four lowest resonators of the Bombarde-Trombone unit, originally large-scale and of wood, were replaced with new metal resonators.

ON/OFF THUMB PISTONS
Pedal to Manual Combinations  Solo
Pedal to Manual Combinations  Swell
Pedal to Manual Combinations  Great
Pedal to Manual Combinations  Choir
Solo Stops on Crescendo

 

BLOWING PLANT
Two 20-horsepower Spencer Turbine blowers, arranged redundantly, each powered by a 240-volt direct-current Westinghouse motor.

 

SUMMARY
167  speaking stops
197  ranks
12,641  pipes

Updated September, 2016