The ISM presents a concert of devotional "Kirtan" sung poetry from Bengal
This coming Friday at 7 p.m. in Luce Hall at the Yale MacMillan Center, the Institute of Sacred Music will present a concert of devotional sung poetry from Bengal, featuring the singer Kankana Mitra along with musicians Bhīma-Karmā Vṛkodara Sāragrāhi and Steve Gorn.
“Devotional Sung Poetry from Bengal: A Kirtan Concert” will present songs from the genre of padabali kirtan that depict the lilas, or divine play, of the Hindu deities Radha and Krishna. Composed in a number of regional dialects of eastern India during the early modern period, the repertoire of devotional poetry presented in this concert remains central to the performative and literary culture in the region. Free and open to the public.
The event is co-sponsored by the South Asian Studies Council at Yale.
Dr. Kankana Mitra (Roy Chowdhury), pictured above, holds a Ph.D. from Netaji Subhas Open University and serves as an associate professor of vocal music at Rabindra Bharati University in Kolkata, India. Specializing in Indian classical music, Rabindra Sangeet, and Kirtan, Dr. Mitra is a distinguished educator and performer with a deep commitment to preserving the rich traditions of Indian music. In addition to her academic work, she has published numerous articles on Bengali Kirtan, a traditional form of devotional music, contributing valuable research to the field.
Dr. Mitra is an accomplished performer and has recorded with the Angel Music Company and regularly conducts workshops and seminars in India and abroad. Her research explores the theoretical and historical contexts of Indian classical and devotional music, and her dedication to promoting and preserving this cultural heritage continues to influence both her students and the wider musical community.
Steve Gorn, whose Indian Bansuri flute is said to “re-align the cells,” is featured on the Grammy winning recording, “Miho – Journey to the Mountain,” with the Paul Winter Consort, as well as the Academy Award winning documentary film, “Born into Brothels.” He has performed Indian classical music and new American music on the bansuri bamboo flute, soprano saxophone and clarinet in concerts and festivals throughout the world. His CD, Luminous Ragas, is a landmark recording of music for yoga and meditation. Recent recordings include Between Two Worlds and Illuminations.
Born in 1977, Bhīma-Karmā Vṛkodara Sāragrāhi was raised in one of the pioneering yoga-āśrama communities of the 1970s and ’80s as a Vaiṣṇava brahmacārin. Since early boyhood, Mṛdaṅga has formed his spiritual connection, practice, and offering. By his late teens, he began performing, recording, and touring with Kṛṣṇa Dās, Śyāma Dās and Jai-Uttal, playing Mṛdaṅga for the first Grammy-nominated kīrtana album.
Desiring to delve deeply into the sacred musical culture and technical art of his beloved instrument, he left the then budding popular kīrtana music scene in 1999 and moved to India for more than ten years of intensive study and practice. After his foundational Mṛdaṅga studies, he studied Nāṭya-Śāstra, relevant Ṛg Veda passages, and the Brahmāṇḍa-cosmology of Bhāgavata Purāna, gaining a comprehensive understanding of Tāla and Mṛdaṅga’s full form, as a developed spiritual, mystical and musical yoga.
Bhīma-Karmā Vṛkodara Sāragrāhi began Mṛdaṅga studies in 1999 and has been Dr. Hare-Krishna Halder’s śiṣya/student Manoharshaya sampradāya of Mṛdaṅga, since 2009. He received the Brahma-Sambandha initiation into the Puṣṭi Mārga Vaiṣṇava tradition of Śrī Vallabhācārya from Bava-Śrī Milan Gosvāmi in 2003. Bhima-Karma is also a trauma-therapist in the Somatic Experiencing school of Dr. Peter Levine and a hand-analyst for more than twenty years.